{"id":11860,"date":"2026-01-22T08:46:00","date_gmt":"2026-01-22T06:46:00","guid":{"rendered":"https:\/\/kummamuseo.fi\/villit\/"},"modified":"2026-01-30T15:47:53","modified_gmt":"2026-01-30T13:47:53","slug":"thewild","status":"publish","type":"post","link":"https:\/\/kummamuseo.fi\/en\/thewild\/","title":{"rendered":"The Wild – The Rise and Defiance of the Kuopio School 31.1.\u201326.4.2026"},"content":{"rendered":"\n

The art scene in Northern Savo erupted in the 1980s. A fierce movement emerged, using color mercilessly and expressing the inner worlds of the artists. The artists of the Kuopio school reshaped the local art scene with their provocative and sometimes disturbing style.<\/p>\n\n\n\n

In the 1980s, Kuopio became a vibrant city of visual arts that attracted nationwide interest. Young, newly graduated visual arts professionals moved to the city, and the press began to refer to them as the Kuopio School. Key local artists of neo-expressionism included Pauno Pohjolainen, Markku Kolehmainen, Teemu Saukkonen, and Pentti Meklin. It is not possible to draw a clear line between those who belong to the group and those who do not. Other local artists featured in the exhibition and notable international neo-expressionists, such as Frank Stella and Rainer Fetting, provide a broader perspective on the nature of painting in the 1980s.<\/p>\n\n\n\n

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Pauno Pohjolainen: Death of the Cross VIII 1980-1981. Kuopio City Collection. Photo: Hannu Miettinen.<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n
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Power, Colour and Defiance<\/h2>\n\n\n\n

Kuopio’s visual arts were part of an international wave in which figurative painting made a grand return to Europe and the world. The exhibition asks: what remains of this legacy when we look at it now, in an era of gender and identity diversity?<\/p>\n\n\n\n

The exhibition brings you face to face with the art of the 1980s in its entirety. Large, impressive paintings burst with power and color. The exhibition boldly presents the true nature of 1980s art: daring, brazen and raw in all its glory, and at times also toxic in its masculinity.<\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n

Content Warning<\/strong><\/h3>\n\n\n\n

The exhibition includes works that may be disturbing or overwhelming to some visitors due to their subject matter, use of color, or expressive intensity. Some pieces feature intense colors that may cause discomfort. In addition, a few works contain imagery that is harsh or emotionally challenging.<\/p>\n\n\n\n

Visitors are welcome to leave and re\u2011enter the exhibition spaces at their own pace. Our staff is happy to assist if you need more information about the exhibition content or support during your visit.<\/p>\n\n\n\n

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Selected Works from the Exhibition<\/h2>\n\n\n\n
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Pentti Meklin: Lola IV, 1983. Lahti Museum of Visual Arts Malva. Photo: Tiina Rekola.<\/figcaption><\/figure>\n\n\n\n
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Jaakko R\u00f6nkk\u00f6: Suspended Session, 1981. Kuopio Art Museum Collection. Photo: Hannu Miettinen.<\/figcaption><\/figure>\n\n\n\n
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Cris af Enehielm: Oh Margaretha in my Dreams, 1988. Pekka Halonen Collection. Photo: Hannu Miettinen.<\/figcaption><\/figure>\n\n\n\n
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Teemu Saukkonen: Indecisive Letter, 1984. Kuopio Art Museum Collection. Photo: Topi Juntunen.<\/figcaption><\/figure>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n\n\n
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Frank Stella: White Swan Engraving II, 1982. Pekka Halonen Collection. Photo: Hannu Miettinen.<\/figcaption><\/figure>\n\n\n\n
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Markku Kolehmainen: Good Night World, 1982. Kuopio City Collection. Photo: Hannu Miettinen.<\/figcaption><\/figure>\n\n\n\n
\"Irma
Irma Mattila: Kirama, 1982. Kuopio City Collection. Photo: Topi Juntunen.<\/figcaption><\/figure>\n\n\n\n
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Rainer Fetting: Van Gogh at the Berlin Wall, 1983. Pekka Halonen Collection. Photo: Hannu Miettinen.<\/figcaption><\/figure>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

The art scene in Northern Savo erupted in the 1980s. A fierce movement emerged, using color mercilessly and expressing the inner worlds of the artists. 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